28th September, 2014

winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014 winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock bandThe Jesus Lizard Bookby The Jesus LizardAkashic Books2014, 176 pages, 13.4 x 8.4 x 1.2 inches$21 Buy a copy on Amazon
You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.
It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.
Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”
The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.
The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.
Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.
The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear.  – Maureen HermanSeptember 23, 2014

winkbooks:

The Jesus Lizard Book – The story of the ’90s influential and iconic indie-rock band

The Jesus Lizard Book
by The Jesus Lizard
Akashic Books
2014, 176 pages, 13.4 x 8.4 x 1.2 inches
$21 Buy a copy on Amazon

You don’t need to be a fan of The Jesus Lizard or even the indie-rock genre to appreciate what this iconic band accomplished. They recorded seven albums in eight years, created dynamic and inimitable music, and played 1000+ legendary live shows. Their superhuman touring schedule is captured perfectly on the first page in a photo of the band’s tour van odometer, turning over from 99,999 to 00000.  The story of this influential ‘90s band transcends rock memorabilia or memoir, and unfolds an instructive tale of artistic triumph in the delicate balance between commerce and art.

It’s the victory of the underdog, it’s David vs. the Goliath of the major label record industry. It’s an inside look at the creative and business choices artists in any field must face as they work toward that elusive stage that defines success.

Steve Albini, famous for his work recording Nirvana’s last album, In Utero, said this of the band: “When I think of The Jesus Lizard, I think of them as the greatest band I’ve ever seen, as the best musicians I’ve ever worked with, and as the purest melding of the sublime and the profane.”

The Jesus Lizard Book was designed by vocalist and artist David Yow, with most of the content painstakingly recorded by the band’s exacting bassist, David Wm. Sims. All four band members contribute their perspective and experiences, in a loose structure starting with the band members’ backgrounds, how the band formed, each studio recording, and their astounding performance chronology. This template is peppered colorfully and playfully throughout with concert posters by the iconic Frank Kozik, recipes by singer David Yow (his Chocolate Bourbon Bread Pudding sounds delicious!) and photographs ranging from backstage polaroids to professionally shot panoramas.

The epic shot from the band’s perspective onstage at Reading Festival – one of the largest rock festivals in the world – speaks volumes of what this band built up with sheer tenacity, inventive musicianship – and a sense of humor which draws the reader playfully into their world.

Anchoring the book throughout are well-written, vivid and poignant anecdotes and tributes from those whose lives they touched, and who touched theirs. Characters like Steve Albini, Mike Watt, JG Thirlwell, Hank Williams III, Frank Kozik, and Gang of Four’s Andy Gill all provide a full spectrum take on the band’s history.

The range of different perspectives from all four band members on the same record is telling of the creative process and compromises that abound in collaborative art. For example, bassist David Wm. Sims strongly touts Shot as the best album he’s ever played on, but the Steve Albini-engineered Goat is ubiquitously considered their masterpiece. But as a reader, you don’t need to hear the songs to appreciate the story – and Book delivers the band right to your coffee table loud and clear. – Maureen Herman

September 23, 2014

(via WINK BOOKS)

26th September, 2014

The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here! The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here! The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here! The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here! The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here! The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques. 

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here!

The two new Secret Society of Paper Cut books for 2014 are out!

Each is a storybook paper craft how-to book that your grandmother on LSD would really enjoy. Written, illustrated and general ridiculousness by Crankbunny.

• Each book focuses laser tight on two different paper craft techniques.

• Learn to how to make all sorts or pop up cards OR create different types of paper dolls (including mechanical ones!).

• Each book includes 4 how-to projects with templates.

• Additional related templates and resources are available online with a secret membership login to the Secret Society of Paper Cuts (SSoPC) official website.

Want more info? Clickum-them-here!

25th September, 2014

winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014 winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014 winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014 winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014 winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014 winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quiltingAccidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quiltsby Eli Leon2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)$60 Buy a copy on Amazon
There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.
Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”
This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”
What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.
With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.
Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection. – Reanna AlderSeptember 19, 2014

winkbooks:

Accidentally on Purpose – The beauty of jazz-like improvisational quilting

Accidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quilts
by Eli Leon
2007, 176 pages, 9.4 x 9.5 x 0.5 inches (paperback)
$60 Buy a copy on Amazon

There are a handful of other books about African-American quilts, particularly quilts from Gee’s Bend; each have beautiful quilts to show, but this obscure exhibition catalogue remains my favorite. Whereas other books tend to position the quilts in the context of modern art and abstract painting, scholar and collector Eli Leon focuses on the connection with West and Central African textile traditions.

Leon’s thesis is that African-American quiltmakers, much like jazz musicians, were drawing on the aesthetic traditions of Africa when they began to make quilts to keep their families warm. “[Afro-traditional quiltmakers] favor ‘flexible patterning,’ in which the design is conceived as an invitation to variation; rather than repeat, the pattern may materialize in a sequence of visual elaborations.”

This contrasts sharply with the standard American quilt-making tradition and it’s attention to precise measurement and exact pattern repetition. Instead, afro-traditional quilters “maintain a generous attitude towards the accidental.”

What makes the essays so great is that Leon is a passionate observer of process, using diagrams to describe variations on a single block pattern and exploring at length the design choices used in specific quilts.

With the help of extensive interviews with African-American quilt makers, Leon creates a language to describe these design techniques. Subtitles like “accumulative creation,” “bimodality,” and “integration of accidentals” hint at what this book has to offer to designers and improvisers of all stripes.

Also worth checking out is Talking Quilts, a series of conversations between Eli Leon and quilter Sherri Lynn Wood about his collection.
Reanna Alder

September 19, 2014

(via WINK BOOKS)

21st September, 2014

The Diatomist is a short documentary about Klaus Kemp, master of the Victorian art of diatom arrangement.

Diatoms are single cell algae that create jewel-like glass shells around themselves. Microscopists of the Victorian era would arrange them into complex patterns, invisible to the naked eye but spectacular when viewed under magnification.The best of these arrangements are stunning technical feats that reveal the hidden grandeur of some of the smallest organisms on Earth. Klaus Kemp has devoted his entire life to understanding and perfecting diatom arrangement and he is now acknowledged as the last great practitioner of this beautiful combination of art and science. The Diatomist showcases his incredible work.